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| − | <br><font style="color: silver; font-family: Garamond; font-size: 24pt> “Broken places and blood and devastation. There can be beauty even in wreckage .” <BR> - Anthea Hawtrey-O’Callaghan</font>
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| − | <center><font style="color: silver; font-family: Garamond; font-size: 15pt>"It is not camouflage nor uniforms, nor the clean lines of a gun, nor even heroic profiles, that make good subjects for war pictures; it is death and destruction, and the agony that stays about the rubbish pile and the grave. … a wall falling like a short man; the broken carcase of a lift-shaft; machinery dangling its severed limbs in the bare well of a mantle-factory."<BR> - John Piper, 1941 </font></center>
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| − | | class="left" | <font color=silver style="font-variant: small-caps; font-size: 12pt;font-family: Garamond">'''Full Name:'''
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| − | | Anthea Hawtrey-O’Callaghan
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| − | | class="left" | <font color=silver style="font-variant: small-caps; font-size: 12pt;font-family: Garamond">'''Apparent Age:'''
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| − | | 25
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| − | | class="left" | <font color=silver style="font-variant: small-caps; font-size: 12pt;font-family: Garamond">'''Occupation & Fame:'''
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| − | | An up-and-coming art dealer and agent, based in London but in California to develop her portfolio of Americwan artists. She specializes in installation, performative, and conceptual art centering on ruined sites of war, and human corporeal extension and extremity.
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| − | | class="left" | <font color=silver style="font-variant: small-caps; font-size: 12pt;font-family: Garamond">'''Demeanor:'''
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| − | | Visionary
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| − | | class="left" | <font color=silver style="font-variant: small-caps; font-size: 12pt;font-family: Garamond">'''Astrological Sign:'''
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| − | | Aquarius Sun, Pisces Rising
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| − | | class="left" | <font color=silver style="font-variant: small-caps; font-size: 12pt;font-family: Garamond">Played By:'''
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| − | | Nastya Kusakina
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| − | | class="left" | <font color=silver style="font-variant: small-caps; font-size: 12pt;font-family: Garamond">'''Music:'''
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| − | | ’Cold Planet’ – Dreaming Cooper https://tinyurl.com/y98em6x5; Spotify playlist https://tinyurl.com/yb2fytu8
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| − | <font style="color: Silver; font-family: Garamond; font-size: 28pt; font-variant: small-caps">
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| − | <center>'''Plot Hooks'''</center></font>
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| − | <font color=#62f748 style="font-variant: small-caps; font-size: 14pt;font-family: Garamond">♦ '''Art & Salon Culture at the <B>Galerie de Nuit</b>'''</font> <br> ''Anthea is passionate about SALON culture, and her Kindred-only <B>Galerie de Nuit</b> is a space for vampiric art display and -- hopefully -- sparkling conversation about art, literature, culture and politics. She is also a respected artiste specialising in sculptural and installation work exploring human bodies in extremity and the devastation of urban ruin. Her Toreador Clan prestige 3 stems from acquiring respect for her work among the London Toreador, prior to coming to Prospect.
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| − | <font color=#62f748 style="font-variant: small-caps; font-size: 14pt;font-family: Garamond">♦ '''Art dealer and curator:'''</font> <br> ''Anthea is a respected art dealer and agent, actively seeking emerging artists to represent on the international stage. She has an established and respected agency based in London and is in Prospect to develop links with American and specifically Californian talent. She is especially keen on conceptual, installation and performance art.''
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| − | <font color=#62f748 style="font-variant: small-caps; font-size: 14pt;font-family: Garamond">♦ '''Ventrue'''</font> <br> ''Anthea’s an unusual Toreador. She's particularly close to the Ventrue clan of London, with many decades of connections (Clan Friendship 4), and she is mentored by George Sackville-West, in mortal life 5th Earl de la Warr, now Ventrue Primogen of London (Mentor 3). There’s a long story there.''
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| − | <font color=#62f748 style="font-variant: small-caps; font-size: 14pt;font-family: Garamond">♦ '''UrbEx/placehacking industrial ruin'''</font> <br> ''Despite her polish and careful couture, Anthea’s seriously into industrial urbex, specifically of abandoned industrial installation, She’s always up for infiltrating boarded up factories, decayed hospitals, and burned out ruins. She brings her camera, and will regularly pause in her exploration, coolly assessing the devastation.''
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| − | <font style="color: silver; font-family: Garamond; font-size: 28pt; font-variant: small-caps">
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| − | <center>'''Anthea'''</center></font>
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| − | <center>A willowy sylph of a woman with long fair hair, her pale blue eyes full of cool mirth. She gives an overriding impression of an oddly bleached lack of color -- a lunar brightness and too-angular slenderness. Exceptional posture emphasizes her 5’8” height and thinness, and she moves with grace and composure, equanimity. Her voice is crisp English, cut-glass and upper-class, but also somehow deeper-pitched than one might expect.<P>She’s wearing strictly-tailored black couture: a silk blouse, jacket with Nehru collar, a pencil skirt and knee high leather boots. She has only two kinds of adornment: her long neck is bisected with a black velvet choker, and her left hand has three glittering rings: dark metal, blue stone. <P><P><P></center>
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| − | <center><I>”What are these shapes that stare where once strong houses <BR>Rose with their sounding halls and rooms of breath? <BR>No, not their skeletons for those have fallen<BR>Dragging to earth<BR>The coloured muscles from a thousand walls. <BR>…<BR>The rubble that is rotting in the rain<BR>Exhales the breath of Warsaw and Pompeii, <BR>Guernica, Troy and Coventry – all cities, <BR>And every breathing building that died burning.”</i><P>(Mervyn Peake)</center>
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| − | <font style="color: silver; font-family: Garamond; font-size: 28pt; font-variant: small-caps">
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| − | <center>''’EMERGING ART AGENTS TO WATCH’, report in <I>APOLLO International Art Magazine</i>, May 2020 '''</center></font>
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| − | <center> “ … One of the most unconventional – and certainly the hungriest – of the up-and-coming agents is Anthea Hawtrey-O’Callaghan, who runs a small, lean international organisation that advocates strongly for her small portfolio of clients. She specialises in multi-media work with an edge, favouring conceptual, sculptural and installation works, particularly those incorporating human performance and choreographed bodies wracked in extension. While generally based in London, she is shortly moving to California to develop her American portfolio of artists. For artists who match her realm of interest, this elegant and determined agent could be an asset worth seeking out.” <P></center>
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| − | <center>'''Contacts'''</center></font>
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| − | <B>[[XXX]]</b>: Pending<P>
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