Difference between revisions of "Avalyn"

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<B><i>...a riddle, wrapped in a mystery, inside a kimono.</I></B>
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<B><I>...a riddle, wrapped in a mystery, inside a kimono.</I></B>
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          Only blues and silvers remained at this level of darkness.  The moon was so bright it hurt to look at it.  A woman moved silently through the mayapple and the bracken, taking advantage of a fresh breeze to hide her footfalls amidst the rustling.  Ahead, in the clearing, the beautiful Japanese lady finally saw her quarry.  She raised the bow and drew back the arrow.
 
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[[File:Avarin.png|200px|]]
          She was one with the bow, the arrow, and the target.  It was a perfect moment. She let the arrow fly.
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Played-by: actress Maki Horikita
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          The creature in the clearing wheeled and made a great leap over some bushes to go bounding away. The arrow flew straight and true, lodging in a point a fraction of an inch behind its foreleg.
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<P><b><i>"Nō aru taka wa tsume wo kakusu."</I></B></P>
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<P><b><i>"Ne cherchez plus mon coeur; les bêtes l'ont mangé."</I></B></P>
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          Avalyn looked down at her own chest.  Fletching jutted from her breast like the gnomon of a moondial.  Blood was spreading into the threads of her white silken clothes.  She could feel the solidity of the palmwood shaft piercing her sternum.
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This is Avalyn's assIts purpose is to mesmerize, and subtly unnerve.
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          The prey creature stopped and turned to stare at her.  As she gazed into its eyes, Avalyn was struck by a strange emotion.  It was sweet and terrible; it was ultimate joy and deepest despair.
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Typically, there will be a pointed attempt to look away and focus on other details of the picture:
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'''"Why is she wearing that strap? Why is there a rope? What does the calligraphy on her shirt mean?"'''
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Then there is a defensive reaction as attention inevitably returns to the ass:
          The lady had to breathe in small short sharp breathesThen she spoke. "Come here," she whispered, knowing that with the deer's acute hearing, it could not fail to hear herThe deer's expression was one of shock, mouth agape and its eye wide in a pale patch. Then, it lowered its head and slowly walked forwards.
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'''"...It isn't so greatAm I supposed to be getting a hard-on or something?"
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'''
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<P><b><i>"Plus on apprend a connaître l'homme, plus on apprend a aimer le cerf."</I></B>
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By design, this irritation extends to the entire page.
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'''"Why the fuck are there quotes in Japanese and French that I can't understand? And why does this page not simply tell me what type of supernatural Avalyn is like everyone else's?"'''
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<H3>
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'''You don't actually expect me to ROLEPLAY to find out stuff like that?"
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'''</H3>
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<H2>''...Ah!  Now we are getting somewhere.''</H2>
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PRPs
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[[The Sea King]] starring Silvana, Gil, and Jax.  Guest appearances by Nausi and Lee.

Latest revision as of 07:07, 15 October 2013

...a riddle, wrapped in a mystery, inside a kimono.
Avarin.png Played-by: actress Maki Horikita


"Nō aru taka wa tsume wo kakusu."

"Ne cherchez plus mon coeur; les bêtes l'ont mangé."


This is Avalyn's ass. Its purpose is to mesmerize, and subtly unnerve.

Typically, there will be a pointed attempt to look away and focus on other details of the picture: "Why is she wearing that strap? Why is there a rope? What does the calligraphy on her shirt mean?"

Then there is a defensive reaction as attention inevitably returns to the ass: "...It isn't so great. Am I supposed to be getting a hard-on or something?"

By design, this irritation extends to the entire page. "Why the fuck are there quotes in Japanese and French that I can't understand? And why does this page not simply tell me what type of supernatural Avalyn is like everyone else's?"

You don't actually expect me to ROLEPLAY to find out stuff like that?"

...Ah! Now we are getting somewhere.


PRPs

The Sea King starring Silvana, Gil, and Jax. Guest appearances by Nausi and Lee.